When you look at the title of this movie--The Ghost Ship--you might well assume that this is a supernatural thriller about a haunted sea vessel. And when you see the name "Val Lewton" attached as producer--responsible for such horror classics as I Walked with a Zombie and Cat People, you just know this is a supernatural thriller about a haunted sea vessel.
Both reasonable assumptions. But wrong.
Executives at RKO determined the often sensation titles of the movies Lewton would make, but Lewton determined the content. For The Ghost Ship, Lewton opted not to take the title literally, but use it as an opportunity to make a psychological thriller in which a ship isn't haunted by ghosts, but a flesh-and-blood man is consumed by his personal demons, making him a threat to all around him.
A young seaman, Tom (Russell Wade) ships out as third mate under Captain Will Stone (Richard Dix) who, unfortunately for everyone involved, is slowly going insane and bumping off anybody who crosses him, like a shipmate (Lawrence Tierney) who speaks out against the captain and is later "accidentally" crushed to death by an anchor chain. When Tom voices his suspicions about Captain Stone, he becomes the next target, and the rest of his shipmates (Including Calypso singer Sir Lancelot) won't help because...well, Stone is the captain, and on the sea, the captain's word is law unless Tom can prove that Stone is out of his mind.
Like all of Lewton's movies for RKO, The Ghost Ship has a moody look to it, with lots of low-key lighting and sweaty close-ups, especially of former silent film star Dix (whose name sounds like a modern male porn star pseudonym). His performance as Captain Stone is reserved and tense, rather than loud or flamboyant--no giggling psychotic here--making it all the more chilling. Mark Robson, who worked as editor on other Lewton movies before finally getting a shot at directing on The Seventh Victim, keeps things grim but well-paced, and there are a couple of good scares to be had: The murder of Tierney is harrowing, since the audience realizes his fate well before he does, and a later scene in which Wade must stay in his cabin despite the lock having been removed from the door is proof that a little paranoia goes a long way.
The key to enjoying The Ghost Ship is not to lower your expectations, but adjust them. If you come in looking for a solid psychological drama rather than a spook show, you'll enjoy The Ghost Ship, especially if you've ever suspected that your boss just isn't quite right in the head.
(Note:: This Ghost Ship isn't in any way related to either of the two much later movies with the same name (one released in 1980, the other in 2003). Both of those have actual ghosts on board. Both of them are very bad movies.)
Sunday, October 16, 2005
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